Speaking for myself

The truth and nothing but the truth

Speaking for myself

74.Q:  From  Lillian Vargas (Ohio)

Hello Shere I’m writing you because I read an article on popular Vietnamese female singers of the 80’s. However, your name wasn’t mentioned. I was so confused because I know you have 5 vinyl albums in the 80s, FM radio exposure, MTV videos of your music, and you were on a record label. Plus all your movies and TV career.  And you have toured all over the world. My Question: Were you not mentioned because the other female Vietnamese had more tangible established credits? 

Answer: As to the subject of the 80’s in America. Again! Speaking only to “my generation” of performers. So no! The performers in my generation do not even come close to my established credits.  LOL!  BTW!  I’m sure the Vietnamese in “my generation” will not like what I have to say. Anyway! Here’s the truth. Back in the old days in South Vietnam from 1965 to 1975. There was a surge of Vietnamese performers who were actively performing at all the local bars and nightclubs.  And performing cover songs was their bread and butter.  So, when we lost the war and everyone moved to America.  They all came with no record label contracts, no radio airplay, no music awards, no Vinyl albums, and at best you might see an article or two of local bands who were most popular, but only in their city limits and not beyond that.  And that was because of the war. 

So, now in the 80's in America, the Vietnamese performers of “my generation” who were very active in Vietnam are remembered not by any music accolades or commercial merits. They seem to be acknowledged just being local performers within their community during the conflict of the war and nothing more.  And because I was not actively involved in performing in the local communities. That is one of the reasons why I am not recognized in any of the articles with “my generation” of performers. BTW! In Vietnam, the only record of my music performances was with the Gi’s and the officer’s clubs for one year in Long Bing and later with the USO Club in South Saigon. Shortly thereafter I moved to America. 

So, in conclusion, The performers who performed during the war in Vietnam seemed to be honored as legends, more than being recognized by the music industry in America.  And they seem to flaunt this as equals to the American musicians with established, merits and commercial accolades. 

Speaking for myself

73. Q: From Lilian Sepp (Tallinn, Estonia)

Good morning Shere. Do you have any children? or any pets? 

Answer one: No, I don't have any children. Many years ago I had an accident, that prevented me from giving birth. BTW! I love kids and when I see children my heart melts and that's when I miss the thought of not having children. 

Answer two: I don't have any pets to date. However, I have always had pets, both cats and dogs. My last pet was a cat named Lucky, although he passed away 6 years ago from a liver problem. Since then I decided to retire the idea of owning a pet because the pain of losing Lucky was too much for me emotionally. And at my age, I don't want to go through that experience again. Thanks for asking. Love ya! 😘

Speaking for myself

72. Q: From Kate Smith (Australia)

I was on YouTube to check out your Vietnamese song called  “Quên Đi Tình Yêu Cũ”. And I was happy and sad because I saw all your American supporters, but no Vietnamese comments. I've followed you for years and to me you’re a true icon and legend. You are my Braveheart!  And even though I don't speak or understand Vietnamese. I do understand your talent for singing and it's beautiful just like you. Question: Why didn’t the Vietnamese respond to your song? 

Answer:  I believe it all began when I was rejected by all the Vietnamese major production companies back in the early 80s.  In more detail.  Ever since the 80's when I used to participate in all the Vietnamese local venues in their refugee communities "all was well".   Until, I started performing in American venues on TV, and Radio, and started acting in American Movies. That's when I was being ignored by the performers in my age group back then. I guess the performers didn't understand why I was involved with the Americans and not the Vietnamese. I'm guessing my comrades thought I was a trader to the Vietnamese and didn't have a clue about the real reason why I changed my career direction. And again! As I have mentioned many times.  The Vietnamese production companies back in the 80s were looking for a Madonna-type performer and not my New Wave originals. 

I also believe I might have possibly been blackballed. I say this because the Vietnamese performers (in my age group) who I had helped boost their careers are now ignoring me in all their interviews with the companies who rejected me.  And these are the performers I helped.  It's funny!  When they're asked, "Who helped them in their careers?" They never mentioned my name even when their first performances were in my cassette albums, and videos.   Video proof... https://www.youtube.com/watch?v=l3L0oMlOrRI  And to this very day, the major music production companies refuse to include me in any of their programs.  Instead, they would call on all the performers I had performed or helped in the past. And even with all my credits. They still refuse to call me to this very day.  As to the blackball speculation and rejections. Back in Vietnam my sister used to have a personal tutor who would come to my house regularly to teach. This tutor just happens to be the owner (and his wife) who owns the two major Vietnamese production companies of all time, and the Vietnamese know who I'm talking about.   So, I suspect this could also be a personal vendetta. In conclusion, I have to believe my people don't comment on any of my videos due to the negative rumors said about me all these years as a trader. I guess they don't want to agitate their relationship with these major production companies. And that's why I believe they don't respond to anything I do.  

Speaking for myself

71. Q: From Lucy Nguyen: (California)

Hello Shere, I got into an argument with a fan who praised an 80s singer named Lynda Trang Dai for being the one and only Queen of the new wave 80s. This fan mentioned that Lynda's new wave song called, “Sau Ngày Cuối Tuần” did a video in 1985 at the age of 14.”  And two years later with nothing on record, she came back with a new wave song called. “Gimme Your Love Tonight” in 1986 at the age of 17 with Paris by Night. My argument was that there were many other singers who I have found to also have proof of singing new wave songs in the early 80s.  My Question; Do you know if Lynda was the first Vietnamese singer to do a new wave in 1985, or is it you? 

Answer Hello Lucy, good question. No, I wasn't the only one. There were a lot of female Vietnamese singers performing all the latest “Euro disco songs” back in the mid-’80s, which the Vietnamese people are now calling the new wave.  So, nothing new there!  As for Lynda’s claim in doing a new wave song called, “Sau Ngày Cuối Tuần” in 1985 at the age of 14.  I can’t say for sure if those dates are true or not. Although, I never heard of the song “Sau Ngày Cuối Tuần”, or Lynda back then. BTW! The New Wave/Italo sound didn't arrive until 1986.  And there is a huge question of why Lynda chose an unknown song no one recognizes instead of a popular song.  And then you brought up the missing in action both in performances and recordings of Lynda between the ages of 14 to 17.  This means the date 1985 could be a mistake.  

Answer BTW! There were a few Vietnamese singers like me who dared to sing real American new wave music and not Euro disco songs before 1986.  So, in conclusion, I know of Linda now and can honestly say, with video proof when I was performing alternative new-wave American songs in 1980 Lynda was 12 years old. I also have video proof of me performing Euro music live from 1986 -1987 when Lynda was 17 or 18.    BTW!  I wish people would stop comparing my music career with Lynda's. She is best known for being a Vietnamese Madonna in the 80s wearing new wave clothing when I was doing original new wave songs back then. Plus, I am 16 years older than Lynda. Also, Lynda only performs to the Vietnamese communities.

Speaking for myself

70. Q: From Wendy Nguen (Texas)

Good morning Shere, I’m also Vietnamese. I’m writing you because I have a popular friend who is a Vietnamese singer from the 80s. Early this year she was approached to do a New Wave movie documentary along with a few other Vietnamese New Wave singers, although you are not listed. My Friend said, there are rumors that you rejected their invitation to join them in this film documentary. Can you please explain why? 

Answer one. Hello Wendy. Yes! You are right! I rejected their invitations for two reasons.  Number one: I understand the Diaspora of Vietnamese in America and how the new wave became their salvation in the 80s. Instead, the filmmaker inadvertently promotes segregation between the Americans and the Vietnamese. And I’m totally against that. And even though I took part in singing the same covered songs back in the early 80s. I was the only one who represented the Vietnamese to the Americans with my "original new wave" sound and no one else. And because they ignored this, I refused to be a part of their project.

Answer two: 

Initially, the filmmaker wanted to gather all the Vietnamese singers who performed new wave songs in the 80s. So, even if you sang only one song, you were accepted in her new wave film. But, even more, disturbing was the fact that all the singers were going to be supporting their featured singer, Lynda Tran Dai. And, I strongly disagree with that issue, because Lynda was never known as a New Wave performer in the early 80s. All the Vietnamese knew her as a Madonna wanted to be, not a new wave performer. I understand the filmmaker needs Lynda regardless of the truth, because Lynda is the most popular performer in the Vietnamese Community, and the filmmaker needs Lynda to draw attention to her movie documentary. And that is the second reason why I turned them down.   In closing, I will continue to represent the Vietnamese to the Americans with my new-wave original music, until the day I die, because, none of my people have the balls to do so. BTW! I am proud to be an American because they helped my country in war, and they opened their doors to help us. And I am also proud to be Vietnamese and I love my culture. So for those haters out there who disagree with me. All I can say is Where is your gratitude? 

Speaking for myself

69. Q: From Kate Smith (California)

Shere I just want to share a commentary I wrote about you in a new wave article on the internet.  They mentioned all the regular players and failed to mention you. I find this so disturbing why they continue to ignore you. Anyway! here is what I wrote... 

I also remember Shere Thu Thuy in the 80s. She was very unique and the only Vietnamese creating new wave original music. All the other Vietnamese singers were singing Karaoke versions of the popular Euro disco songs of the mid-80s. And that’s why I was a follower of her music because she was an original. I followed her performances in Los Angeles where she would draw huge crowds at Madam Wong’s East (Chinatown) and Madam Wong’s West nightclub in Santa Monica. She even performed at the Star Wood nightclub just before they closed in 1981 in Hollywood CA. I was so proud to see a Vietnamese performing at all the popular Los Angeles nightclubs, And at the time, to see a Vietnamese singer performing in Los Angeles was unheard of. And in Chinatown in Los Angeles at the Golden Restaurant after Shere’s performance, she introduced a new singer named, “Ngoc Lan “. And on Melrose in Los Angeles in the year 1986. There was a record store called Funky Town Records, which held an album signing event for Shere Thu Thuy. This was one of many record stores selling Shere’s Vinyl albums. It was so exciting for me because I felt that I was the only Vietnamese experiencing one of our Vietnamese performers receiving so much attention outside of the Vietnamese refugee communities. The place was overwhelmed with people and I felt deeply moved, especially when I gave Shere my album to sign and Shere asked me, “Who should I make this out to?”. And she signs my album which I have to this very day. And this is how the 80s new wave music became an indelible time in my life. And for the record, I do believe Shere was the only Vietnamese who had her music aired on the American FM radio stations with Richard Blade announcing Shere’s music on the world-famous FM KROQ K-Rock station in 1987. This was followed by Shere’s video being aired on MTV with “Bring My Heart to Light” and “It’s Only You”. In conclusion, it is so sad that her Vietnamese New Wave comrades failed to acknowledge her in their Vietnamese New Wave credits. If you are not familiar with Shere’s history you will be blown away. Her accomplishments are overwhelming. You can check her out at sherethuthuy.com

Answer: WOW! Thank you so very much. Love ya! ❤️

Speaking for myself

68. Q: From Rachel Nguyen (California)

Hello Shere, Iʼm a singer-songwriter. And I've tried for several years to work my ass off to accomplish financial success and achieve a large audience. However, no matter what I do, I just canʼt seem to do any better than what I am doing as an independent recording artist. Question: In your many years of experience, can you give me any advice?

Answer one: Yes! However, please understand Iʼm retired and my information is from my past experiences, and from other artists I’ve talked to. Anyway! In short, there is only one way to achieve financial stability and a large audience. In your case, I’m assuming that you already have music and videos under your belt. This is my suggestion.

Answer two:  Firstly, if you are Vietnamese and choose to make your success through their music channels. You will sadly learn the Vietnamese are limited.  However, if this is your goal. This is what you need to do. You will need to join a major music production company like Asia, Paris by Night, or Thuy Nga. Remember without them you will never achieve what they can do for you, especially in producing a large viewing audience, touring at all the big venues, and making the big bucks. Note: Your career with them will be short-lived as they need to change their artists every so often. Also, you have to approach them because they will not come knocking at your door. It is not like the old days when they used to do that. Now, if you canʼt meet their standards, then you can try approaching the American market like I did. However, if you approach the American music industry. You will need to follow these steps. Get a Manager or management company, a booking agent, and finally get on a major record label.

1. You will need a professional music manager or management company registered with Better Business Bureau. You can find thousands of them on the internet. However, if you know a performer who has achieved the status you want. It would be better to ask them for their agent's number or their manager.  NOTE!, A professional Manager or management company will help you with all your contracts, making decisions, and organizing all your business affairs.

Next! You will need a booking agent. This is a company that will book paid gigs for you throughout southern California and even nationwide. This is important to get exposure.

Next, join a major music agent, like William Morris agency. And at your request, the Agency will approach all the record labels as your representative. Note: The record companies will not speak to you without a professional agent or the owner of an independent record label. And the major record labels will put you on all the major music radio stations, TV talk shows, and major tours.

For now! Continue to use all your distributors like CD baby, Distrokid, Tunecore, and Dittomusic.  Also, this is very important, build your emailing list, and record all your performances.   BTW! Donʼt waste your time on social media such as Facebook, twitter, sound cloud, tik tok, or Instagram. These places are only good for contacting friends and family. They do not generate sales. And stay away from their promotion offers.  Instead, I would focus on selling your music on YouTube with links to buy your music. I say this because you will have a much larger audience with interest in buying your songs than any other social media would do.  Well! That is all for now. I hope this helps out. And if you have any other questions. remember you can always contact me here.

Speaking for myself

67. Q: JoJo Chi (California)

I noticed everybody on this page is very nice with their compliments on your career, personality, and music. So, I thought to myself!  Ok!  I'm sure there must be a lot of hot air blowing in the wind of the real truth about you. So, I did some research and dug really deep to find something negative. To my surprise! The only thing I could find was in the early 80s you had smaller breasts. And the ones you have now are bigger.  And I think the most impressive thing I found about you that impressed me the most, was the fact that throughout your entire career, you always gave credit to all your Vietnamese performers and composers before you.  And you always answer everyone good or bad.  BTW! This is something that is extremely rare with all the Vietnamese. They just don't do that.  And now I'm starting to sound like the people on this page. LOL!   My Question: In your video, "I've Got a Crush on You", what desert did you film this video?  And how old are you now, because you never seem to age? Thank you!

Answer: OMG! Another reference to my breasts. LOL!  Yes, it's true I bought those coconuts back in the late 80s.    As to your question: what desert did you film this video?  It was in Death Valley just south of Las Vegas. I got really lucky because the weather was very pleasant. However, what wasn't revealed was the countless times I tripped over the many stupid rocks in my way. LOL!  As to your 2nd question:  How old are you now?  If, I told you that I would have to kill you. However, I can't do that because there is some crazy Law against that sort of thing!  LOL!   Thanks for asking! Love ya! 

Speaking for myself

66. Q: Leo Kim (Michigan)

OMG! Shere! I just got back from YouTube and saw the mega mix of your original songs and the front cover to this website. Are you sure you are Vietnamese? Because no Vietnamese female or male would dare to show off their bosoms. WOW! I know for sure, you are one of the first Vietnamese to wear a bra on stage in the early 80s. I know this because I saw your performance at Michigan State University in 1985. So, I checked out your other videos looking for more and I found one other video with you as The Industrial Bitch. OMG! You blew me away when I saw you fully braless with just electrical tape covering your nipples. WOW! You are too much Shere! I truly admire your freedom of independence to express yourself. It's funny! Because I always thought The Vietnamese Madonna was the one who pushed the limits. Sorry, to compare you to someone I know you are way different and more creative. However, next to you she's just another meatball in my Phó, and she is the typical Vietnamese and so predictable.

Answer: LOL! How are your eyeballs? I see you were really focusing. Oh well! Maybe next time you can close your eyes and listen to my music too!. Hahaha! Thanks for watching. LOL! 

Speaking for myself

65. Q: Billy Nguyen "(Denmark)

I notice you speak and write in English and not in Vietnamese. My question is, why don't you speak more Vietnamese?

Answer Yes! You are right! I understand most of the older Vietnamese insist that all Vietnamese should only speak in their language when speaking to the Vietnamese people. I have to deal with this problem from time to time.  I think it's because they are insecure or perhaps prejudiced. Either way, I find this silly behavior somewhat infantile.  Especially when they get upset because you are speaking to them in English. It's funny, particularly for the Vietnamese who have come to America in their teens like me.  However, if you lived in America like me for over 50 years. Well! Comment scents should be obvious, and the English language has already been adopted.   I remember on Facebook a common Vietnamese musician got upset with me because I spoke English to him.  Note: he initially approached me speaking in English.  And everything was ok for a while until one day.  He made a derogatory remark about me to another FB member. And said, that I was disrespectful towards him for not speaking Vietnamese to him.  So, I do speak Vietnamese to those who can't speak English very well. However, if you speak English to me, then I just assume it's okay to do the same. Thank you for your question. Love ya!

Speaking for myself

64. Q: Mary Mary

Hello Shere, are you still in touch with any of the Vietnamese performers you've performed with back in the 80s? 

Answer: Unfortunately, I have to say only one. I have kept in touch with Vy Van who was in a band with me called, The Survivors. And I have met a couple of new Vietnamese performers such as Le Toan, who was the mastermind for a very popular cover band named, "The Family Love" in Vietnam and in  Hawaii. He is someone I can call a friend. It seems like everyone got too busy or has passed away. Thank you for your question. Love ya! ;-) 

Speaking for myself

63. Q: From Ronnie Toung, (California)

Hello Shere!. I just started reading your Q & A section from your fans. Hey!  I'm very interested in the Vietnamese New wave and Euro Disco of the '80s, particularly when you mentioned all the places you have performed in Los Angeles CA.   Q: Was there any other Vietnamese New wave Euro performers gigging at the clubs you've mentioned?  Also, what were the names of the New Wave clubs in Southern ca, particularly in Cities like Westminster, San Jose, or Fresno?

Answer: LOL! I'm going to answer your 2nd question first.  In the early '80s, there were no specialty New Wave Vietnamese Clubs in the cities you mentioned, especially clubs that only booked original new wave music in the Vietnamese refugee communities. That's why I laughed.  This is also funny because all the Vietnamese performers who were performing Euro-disco in the '80s were calling themselves new wave performers. LOL!  As to your first question: "Was there any other Vietnamese New wave Euro performers gigging in the new wave clubs you performed at in Los Angeles?".   Come on man! That's an easy one. NO! All the Vietnamese performers in the early '80s wouldn't dare go outside their Vietnamese refugee communities.  The American clubs would laugh them right out of their office, just like they did with me. That is of course until I started producing original music. Note: Just because a Vietnamese performs at a hotel, casino, or at weddings where there are a few Americans. This doesn't compare to the New wave club scene in Los Angeles. 

Speaking for myself

62 Q: From Jackie Lee (Missouri)

Firstly, I love all your original songs both old and new. I have a lot of friends who remember you back in the '80s who have seen you perform live.  And that is why I am writing you. So, when I heard that you had performed in little Saigon in Westminster Ca., at the local venues didn't surprise me that much. However, when I heard that in the '80s the majority of your performances were at all the local American Clubs in Los Angeles. Now, that woke me up!  I say this because in the 80s, Vietnamese did not perform to the Americans, especially in their local or popular nightclubs back then. Q: How did you get into the American nightclubs in Los Angeles?   Q: And why did you perform to the Americans and didn't continue to perform in Little Saigon/Orange County? 

Answer one: Hello Jackie Lee. Yes! In the early 80s, most of my performances were in Los Angeles.  So, to your first question, " How did I get to perform in these nightclubs?".  This would have never been possible if I was a Karaoke singer like my Vietnamese colleagues who were all doing popular cover songs back in the late 70s and 80s.  I had to learn the hard way. When I approached these nightclubs in Los Angeles I learned that all the clubs would ask me the same question, " What kind of music are you doing?".  And I was blown away by their reaction when I gave them my list of cover songs. They all laughed at me. There was even one booker who said, "Honey, if you want to play at my club, or at any club in Hollywood, you need originals and not a list of bull shit cover songs".  Needless to say, I walked out disappointed, mad, and confused, because the Vietnamese nightclubs would gladly accept performers who did only covers.  In fact, the Vietnamese nightclubs would reject you if you would say,  'I only do original music.   Up until now, as a Vietnamese performing covers was the only way I knew how to make a living.  At the time I did have a few originals, although I didn't realize how important this was to get into the Los Angeles nightclubs. Here is a list of a few places I would frequently perform, Madam Wongs East in China Town, Madam Wongs West in West Los Angeles, The Star wood, Gazzaris, The Roxy in Hollywood, Tonys on the Pier in Redondo Beach, and The Troubadour on Santa Monica Boulevard, in Hollywood Ca. ETC. 

Answer two: As to your second question: Why did I stop performing in the Vietnamese Communities?  As I had mentioned several times throughout my music career particularly when I needed help. The Vietnamese music industry back in the early 80s all rejected me because I was doing original and New Wave songs, and not your typical music Vietnamese music.  That is to say, my music was more Americanized and not customized to the Vietnamese standards of what they were listening to, or what they would accept at the time. They were looking for a Madonna-type singer and I definitely was the rebel to that fashion. And after the fact, I came to realize at the time in the early 80s The Vietnamese Music industry was extremely limited to the Vietnamese communities in comparison to the American music industry. Therefore, when the Americans opened their doors to help my music career I became more established beyond what the Vietnamese music industry could ever do for my career. And that's how it all happened.  

Speaking for myself

61 Q: From Cindy Lawson. (California)

Hello Shere, I watch and listen to a lot of Vietnamese New Wave because my step-sister is Vietnamese. And I have read all your Q&A comments particularly the one about the Vietnamese Madonna, who is proclaiming to be the only Queen of Vietnamese new wave performers. I know this performer is “Lynda Trang Dai”. She is the most popular Vietnamese with “Paris by Night” and “Thuy Nga”. All her performances are so spectacular.  And all your performances are not. My question: So, why is your performance not like Lynda’s, and why are your fans attacking her? 

Answer one: Yes! I agree that Lynda is the most popular performer in her age group with the Vietnamese. And I’m sure many performers are possibly jealous or envy her popularity.   I also agree that all her success was achieved through “Paris by Night” and “Thuy Nga”. This is unequivocal and did opened many doors to a greater viewing audience for her career.  

Answer two: To your 2nd question "Why are my performances different from Lynda’s?"  You are right again about Lynda’s performance being spectacular. I have no argument there. Simply put! My music style (if you noticed) is absolutely different and more Americanised with original new wave rock influences. And Lynda is the opposite.  Lynda is your typical Vietnamese party girl, so her music and performances promote sexy dancing and party songs. Her spectacular Vegas stage productions like Madonna, validate her objective. Unfortunately, I’m not that girl. LOL! It’s funny people want to compare Lynda with me and we are like night and day.

Answer three: As to your other question: Why do your fans attack Lynda? The most obvious answer from what I can deduce would be her claim to be the only, or first new wave Vietnamese performer of the early 80s. Especially, when she never produced any new wave songs throughout the ’80s. I believe she did one Euro Disco song called, "Gimme Your Love Tonight" by Sandy Wilson 1986 euro disco.  And that was not a new wave song. And when she puts herself above all the other new-wave Vietnamese performers who were also performing Euro Disco before her in the early 80s. I believe this really angers other Vietnamese performers.  Especially when everyone knows Lynda was promoting herself as the Vietnamese Madonna throughout the 80s and not a new wave queen. However, she did start a series of Euro Disco music in the 1990s, and not in the 80s, which she is claiming to be New Wave.   I think that is why some people talk negatively about her. Also, there is the ongoing rumors about her embellished credits without any tangible evidence to prove her claims before her connections with, “Paris by Night” and “Thuy Nga”. In conclusion, as I have mentioned several times in the past Lynda is not my competitor and I wish people would stop comparing my career with hers. 

Speaking for myself

60 Q: Eleanor - (Montana)

Hello Shere, I'm also a singer, and my question: It's about using songs that are copyright material. What are the disadvantages and advantages?

Answer: The disadvantages. If you "intend to sell" a song that belongs to someone who has their music copyright. You would have to acquire a music License. I personally use Easy Song Licensing at this link.. https://www.easysonglicensing.com/  Note: You would have to pay a fee per unit, This means? how many songs do you think you will be selling? I believe the minimum required is 10 to 25 per song, plus the set fee.   As for the advantages? The License allows you to sell, perform, and promote a license song anywhere. Without it, you can't sell the song. I hope this helped. 

Speaking for myself

59 Q: From Elsa Tri - (California)

I’m so confused! I read your blogs and the Q&A section on your website. And I am a huge fan of the Vietnamese 80s new wave. However, you confused me. So, what are you really saying? That all the Vietnamese are wrong to call themselves new wave?

Answer: Simply put!  The Vietnamese “80s new wave music is European music.   And the Vietnamese have adopted, this European sound, which is called Italo disco and is not new wave.   And to know the difference is to know the Polka beat with the 2-beat feel. This is the European beat to the majority of the ‘80s European sound, which you will not find in the new wave music, played on American radio stations.

I know this can be confusing, especially to the Vietnamese refugee communities. And to know the truth, and why I mention that the Vietnamese new wave is politically incorrect. And that is to listen to the original musicians who created new wave music, like Echo & the Bunnymen, A Flock of Seagulls, Blondie, Pet Shop Boys, New Order, and The Thompson Twins. This was the new wave sound in the ‘80s, which played on the radio, MTV, night Clubs, house parties, and Raves. Unfortunately, The Vietnamese in areas like Orange County, San Jose, and San Diego, and Fresno seem to have gotten their connections wrong, calling the European sound of the ‘80s new wave. 

The Vietnamese chose to adopt this European music, called Italo Disco in the ‘80s, particularly between 1986 and 1987. Groups like Modern Talking and C C Catch were the favorites, none of whom were Vietnamese, American, or English. And yet! The Vietnamese choose to call this New Wave or under the umbrella of New Wave, which I believe is a poor excuse to fit their need to change what is evident. Just to fit their new-wave narrative.

BTW! The Vietnamese are not going to like this. However, for the record, Madonna was not New wave. Vietnamese got this one wrong! If you look up Madonna on Wikipedia, she is recognized by the music industry as a pop disco music recording artist, who dressed in the new wave fashion and was not a new wave sound of music, like the groups I mentioned in this blog.

Just to note, There were a lot of Vietnamese performers during the ’80s doing European Italo Disco cover songs, which I have done my share, but that’s what all performers did to be current and to win the attention of their audience. And again! That was not new wave music. In conclusion, Yes! The Vietnamese today who are calling themselves the new wave is wrong! However, if the Vietnamese are using new wave in the definition of the word wave of music, oldies music, or better yet! European Italo disco then yes! That would be politically correct.

Speaking for myself

58. Q: Stormy Shepard -  (California)

I just learned the reason why you had dropped out of the music scene in 1990. OMG!  Shere, I felt so sad to hear about your brain aneurysm. I have heard stories about people who have experienced this occurrence. If it isn't too uncomfortable. Can you tell us if you suffered any side effects from this horrific misfortune?.  2nd question: When did you make your come back?

Answer: So, yeah! This did affect my ability to remember long sentences and my memory recall. If, you noticed all my new songs are under three minutes or shorter. And my lyrics are repeated verses and choruses. This also refrains me from doing live interviews without a script.  Unfortunately, I get a lot of negative comments from people who are not acquainted with my impediment.  As to your 2nd question, I returned from my retirement in 2010.

Speaking for myself

57. Q: Becky - (California)

Good evening Shere. Well! I started reading your biography and everything else, so I can get the whole picture of who you are. WOW! Sister! You have more information on you than I know my husband. LOL!  So, during my reading and visiting the internet to learn more about you, under the Vietnamese new wave performers.   I came across a performer who is also very popular and is trying to capitalize on the new wave title as "the queen of the '80s". And on this particular interview, she reiterates the sentence, " I do this for my people", referencing this to her music. WOW! I'm sorry but that to me sounds racist, and a bit pompous. I say, pompous as she glorifies herself as some kind of savior as if her people need her help, and she's the only one that can help them.  And I say, racist because she performs only to the Vietnamese refugee communities, and not in American popular venues.  And I found this prevalent throughout all her interviews. My question is, are you aware of this performer I'm talking about?  The Vietnamese Madonna? 

Answer: Yes! It seems like the more attention I'm getting, the more her name is mentioned. I have come to realize a lot has happened when I was missing in action for 20 years. It's like waking up from a coma and discovering someone has forced themself into my old '80s bedroom. LOL!  So, yes I know of this performer. However, I have this apathy towards all or any performers trying to take that title, "The new wave queen or legend" as this is unimportant to me. As I have mentioned many times throughout my career. I just love music and I'm just happy that I can still perform, and especially at my age. LOL!. 

Speaking for myself

56. Q: Cathy Thai - (Wisconsin)

Hello Shere, I admire all your accomplishments, and you are a great inspiration to me. And I'm sure I speak for the consensus of the Vietnamese who follow your career.  In your blog, on the subject of the Vietnamese music industry rejecting you. My question is, in the earlier days of your music career, you did approach the Vietnamese Music Industries. Am I correct?  How did that precipitate? And when they rejected you. What did you do? 

A: Yes!  You are correct! At the time I was living in Southern California. And in Westminster city in Orange County, is when I had approached the Vietnamese music industry, which was only two at the time. Just to note; Before I approached them my original songs were playing on all the local American and Vietnamese radio stations throughout Los Angeles and Orange county, with a couple of Vynil albums to my credits.  And I had established myself as a TV & Movie actress. In addition, I was performing at all the popular Vietnamese clubs. With all that in my pocket, I thought for sure one of the top music production companies would accept me.   I remember during my first of two official meetings when I  introduced myself, they immediately recognized me. In conclusion, they said. " Sorry, we feel you are not a good candidate to represent our people. Besides your too old".  And with that, I left the building disappointed and hurt, that my people rejected me. As to your second question. There was no other place to go. That was it! I thought to myself, now what do I do? That was scary because I didn't want to be permanently chained to the merry-go-round of a repetitive routine to the Vietnamese limited nightclubs in Orange County.   And to be subservient to perform only in Westminster city limits was not going to advance my career. So, I turned my focus to the American music industry. And that's what I did. 

Speaking for myself

55. Q: Frankie - (California)

I found you on the Blog.naver and I love your lyrics and all your videos. Question, When you perform live.  Did you ever perform at an empty club or event?

A: Yes! In the earlier days of my career. I remember a couple of times when there were 5 or 10 lonely people in the audience. The truth is, it didn't bother me because mentally I was too nervous with the thought that I was going to perform. Performing meant a lot to me, so my nerves were a good distraction to realize that 5 to 10 people were even present. However, now that I am older.  It does affect me like any other performer, although I always try to think of the people in the audience who came to see me.  And when I look at their faces, I fall in love with their enthusiasm and I perform my ass off for them. So, yes there was a couple of low turn-outs, but nothing that would stop my energy to give my all. 

Speaking for myself

54. Q: Anonymous - (California)

Hello there, I'm Vietnamese and a rocker at heart. And I'm here because my brother is a big fan of yours and he talks about you all the time whenever the word new wave is mentioned. So, here is my story. One day, he said I should listen to your stuff, and I laughed at him because I'm a die heart rocker, and there was no way in hell that I was going to listen to that new wave shit! Sorry! That's what I said. I think it was on a Sunday morning (my weed-smoking day) I felt bored and I was high enough to check your website, and I thought. Oh No! Another Vietnamese trying to show off their karaoke cover songs.  And then!  I clicked on your Industrial rock section and said. Ok!  What the hell is this? And I opened your page. I was so fucking blown away and couldn't tell if I was still on your website, or if the weed I was smoking was some cheap bullshit stuff I bought.  Anyway!  I checked out one video and then I found myself suddenly addicted like a crack head on heroin. Holy shit! Your rock music really separates you from all those prima donna Vietnamese pretentious female wannabes. I even went to your ReverbNation website and now I'm in love and convinced, that you are some kinda of genius.  And your vocals as a rocker kicks major ass! There is no other female vocalist ever who can even dream to do what you do as a vocalist.  And yes! I compared your credits to the other so-called Vietnamese legends. They all suck!  And you look and smell like the real deal, you are the true '80s, original new wave queen.  You got it, sister!   BTW!  I'm a close personal friend of Lynda Trang Dai and if she hears me say, you're the true '80s Vietnamese new wave Legend she would kill me, along with her husband. You are too much Shere, and now I'm in love with you. However, I wish you were still doing the rock stuff. 

Answer: Who are you?

Speaking for myself

53. Q: Alice Nga -  (New York)

I just read your blogger post. I now understand the difference and the reason why you call yourself the Vietnamese new wave '80s original recording artist. LOL! I argued with my sister on the subject of who deserves the legendary title of the Vietnamese new wave '80s Queen.  I fought for Lynda Trang Dai, and she fought for you. And I must say, with full humility.  I finally, saw the light and the common sense to your headliner.  So, correct me if I'm wrong, although I think I got it now.  You created new wave original music in the American genre in English, while Lynda did covers.  Right?.  And that's what separates you from all your colleagues. Correct?  Also, when my sister showed me Lynda's first original new wave song, "Crazy Love" and I saw the date marked 1992 composed by your brother Alan Nguyen I surrendered to you.  So, did I get it? 

Answer: LOL! Yes!  You got it!  Just to note, there were several female performers in the mid-'80s including me, who did all the popular new wave cover songs back then. This includes CC Catch, etc.  Cover songs are what all performers do to be current and to win an audience.  Although, Lynda did get the support of the major players in the music industry with her Madonna act, and that's why she is more popular.  Especially, when I was forced to stop (20 years missing in action) because of my physical health. 

Speaking for myself

52. Q: Brad Cooper - (California)

Wow! I just read your blog. And out of curiosity. I checked the internet to see for myself if what was said was true. Holy fucking shit! What the fuck! What a bunch of assholes. I just couldn't believe it! So cruel. The Vietnamese music industry and all the Vietnamese new wave articles have ignored you to the point that they don't even give you a shit bone of credit to even mention your name. I'm sorry for my behavior, but if someone were to do that to me. I would fuck them up. Those mother fuckers. Even though you were missing in action for 20 years they have no excuse for not acknowledging you for the past 10 years come back, and all the work you have produced. Not to mention, you are Vietnamese. Are they blind?  You are very present today and hard to ignore. in fact, you stick out like a sore thumb. My question is, do you even need the Vietnamese music industry's or their stupid articles of approval? 

Answer: I must say, your post really tickled my ears with all your F-bombs. If any of the Vietnamese should read your post, I would have to believe you just started another Vietnamese World War 2. LOL!  As to wanting or needing their approval, I can care less as the major players were not there to support me in my music adventure. And if they were to approach me today.  It would be too late, as I'm too old.  So, my answer to your question is no!  I do not seek their approval anymore.

Speaking for myself

51. Q: Vivian Wood - (Oregon)

Shere, I read most of your news articles on your website and it seems that the Vietnamese did recognize you. However, you mention serval times they did not support or acknowledge you. Can you answer this contradiction?

Answer: Yes! It appears that way. However, the majority of the articles you read were paid by me (a common practice of the day) to advertise an event, album, or updates on my music career.  And the few that sought me out for an article in a magazine or an interview were outside the Vietnamese circles.  Just to clarify the difference.  Paying someone to advertise you (a hired service) is not what I consider real support. They're just doing their job.   However, someone who seeks you out for a free promo article, interviews in their magazines, or invitations to their talk shows, is what I call a real supporter.  And, this happens quite often when they like you, and acknowledge you as one of their own. Apparently, all my collective credits weren't Vietnamese enough to accept me.  I hope this answers your question.

Speaking for myself

50. Q: Rudy Trang - (Boston)

OMG! I just read your blog and had to visit your website. Shere,  I read your blog and all your struggles, physically and the rejection of your people. WOW! The Vietnamese music industry is so fucking prejudiced. Question; When you wrote the song, "I'm much stronger" was this because of your experiences mentioned in your blog? 

Answer: Yes! I wrote this song to say exactly that. Despite it all, today I am much stronger. Thanks for your interest. Love ya!

Speaking for myself

49. Q: Tony Nguyen - (California)

I'm Vietnamese raised and born in America and I recently saw a movie called, "A Rumor of War". Was that you? My second question: If you are a New Wave recording artist, why don't you sing the songs like the Vietnamese who are doing New Wave today?

Answer: Thanks for the question. Yes! That was me in that movie called, "A Rumor of War".   I was stripped of all my makeup and everything that makes a girl beautiful. The director wanted realism and that's what he got, LOL!.  As to your 2nd question: The Vietnamese performers you are mentioning are all doing the European music from the '80s and not the American New Wave. They all follow each other with the same oldies cover songs, By Modern Talking and CC Catch. As for me,  I made my career doing original songs influenced by American music since the '70s and to date. So, all "my originals" have been in that fashion, and that's what separates me and my music from that Merrygoround.  However, In the '80s when the European sound was born, and when I was doing cover songs, I did do my share of,  "Modern Talking, etc. Been there, done that! And as I have mentioned many times throughout my career. I'm trying to promote my music, not someone else's. Unlike the Vietnamese who you speak of who do not create music, but choose to follow the melody of the day.

Speaking for myself

48. Q: Steve Bowman - (California)

I'm an American who speaks and reads Vietnamese and I was on your news and miscellaneous page, and I read your articles on Tre Magazines. And I realized how important your identity as a solo artist is. And I also discovered that you are not a follower, and avoided the trap of being a Vietnamese subservient performer impressed me. And that is why I'm writing to you, because of your brave independence.  I have to mention the time I was invited to a sold-out show in Westminster California. This just happened to be produced by Ky Phat, the owner of Tre Magazine. I remember all the performers were from both North and South Vietnam. I was extremely impressed because I fought in the Vietnam War against the North Vietnamese. And yet! Everyone was united in a peaceful love festival. It was on that show when I first saw you perform. And when I read Chris Chambers's question on your Q&A. Question: If the Vietnamese people have rejected you. How did you get on that show?

Answer: Thank you Steve for your interest. So, as I have mentioned many times before there were a handful of people who would recognize me and would invite me to perform in their events despite the political conundrums. As to this show, Ky Phat invited me. And It was his unbiased need to respect unity among all Vietnamese. And there was also the fact that I had a prominent career regardless of where I chose to establish myself.  I was after all Vietnamese and he respected me and my accomplishments. But not everybody on this show shared the same convictions. In fact, there was an ex-musician who worked with me in the late '70s and the '80s. And on that show, he did not want me to perform. He was very confrontational in an email to me. In conclusion, he removed me from the show. However, when Ky Phat found out, he contacted me to say he was extremely sorry and reprimanded that musician and put me back on the show. I can also remember another time with that same musician who physically brushed me off when I tried to greet him with a hug. This just happened to be in the center of an empty dance floor at another sold-out show in front of everyone, which confused me, because up until then I never experienced this behavior from anybody especially from him.  Note: Like Ky Phat, there was another promoter of events and musician name Anthony Luu who I respect and honor as a truly unbiased, non-prejudice Vietnamese gentleman who would also have me perform on his events. Anyway, that's how I got on that show. For the record, it was the Major Companies that I had approached in the early '80s who rejected me, and not the independent promoters or my personal friends. 

Speaking for myself

47. Q: Chris Chambers - (California)

I love the 80's New Wave and have read many articles on the Vietnamese revival and how they adopted that genre of music, calling it their own creation now. And of all the articles they never mention you. Instead, they give full credit to an 80's Madonna singer for introducing pop music to the Vietnamese. The Vietnamese seem to be very prejudiced and biased in these articles to dismiss you from their list of credits. Why is that? This is very sad because you stick out like a sore thumb with all your work. So, how did they miss that?

Answer: LOL!  I always find this so funny every time I get this question. As I mentioned before in a previous answer on this page. It's really sad how the major companies choose to dismiss me. I find this behavior politically repugnant and yes, even prejudiced.  So, in the early stages of my career, I was forced to market my music to the Americans, especially when the Vietnamese were the one's who rejected me back then.  Fortunately, these turn of events worked out for the best. As I quickly learned how massive the American music opportunities were available.  The comparison to the Vietnamese music industry gave the truth to how limited they were back then in the '80s.  And this limitation for a performer seeking success beyond their scope was not permissible.   And when the Vietnamese noticed that I had pursued my career outside their monopoly, I was ignored and dismissed from all their articles, accolades, interviews, and any music credits. However, as I have mentioned before they're a small handful of Vietnamese independent promoters (friends) who will invite me to their place of events. I suppose one day when I'm dead the Vietnamese will finally recognize my accomplishments and probably claim me as their creation too, but not until then. LOL!

Speaking for myself

46. Q: Diana Shaw - (California)

Shere, I read your biography and I know now, that you are Vietnamese. Funny, I always believed you were Chinese. I say this because back in Hong Kong in the '80s my brother bought one of your new wave vinyl albums, which you sang in English. BTW! My brother played your music like a madman on drugs. Question: When and where did you learn how to speak English?

Answer: Hello Diana. I learned how to speak English in Vietnam. My older sister Hai hired a British linguist to tutor us on how to speak proper English. Unfortunately, over the years I wish I could say I mastered the language, although it's more like I massacred it.  LOL!  I'm always on damage control when I speak. So, despite my scrambled grammar, I choose to speak and write in English because I have more American fans than I do Vietnamese. Thank God for a program called Grammarly, I'm lost without it. Love ya!

Speaking for myself

45. Q: Christian Vo - (Florida)

Shere, I saw your sold-out performance in the '80s in Florida, and that was an awesome show!. And last week I was at a local nightclub, celebrating my friend's birthday and there was a Vietnamese band playing '80s music. I was on the dance floor when I almost passed out with surprise! The band played two of your songs, "Gonna Lose My Heart and Prisoner of Love". When I went home I got on YouTube and I was so happy to see you were back. My question: Are the bands in your area also playing your music over there?

Answer: I wish I could answer that question. I say this because I hardly go out to nightclubs at my age. However, I do have hundreds of DJs who play my music from time to time, especially the '80 new wave and Italo Disco DJs. Thanks for sharing, Love ya!

Speaking for myself

44. Q: Jenifer Nguyen - (South Vietnam)

I'm also from South Vietnam and I remember your family. They owned an import-export store, where I believe my dad bought a Sony Radio and our first black-and-white television there. Question: How did you get around town, to work or to perform? Did you have a car? 

Answer: LOL!  No!  However, I do remember my brother Mike had a Honda Motorcycle, and he would drive me on the back of his Motorbike to his manager's house where all the band members would meet. And from there we would jump in the manager's Van and drive off to Long Binh to perform.  I was like a 007 agent back then, and my mission on the weekends always began around 5 to 6:PM. This is when I would use my super talent, which was to Lie to my mother.  When she would ask where I was going I would reply, "I'm going to see Mike perform with his band". and that would appease her for the time being. Unfortunately, I got caught one night by my mother when I didn't arrive home. This was due to a bomb scare from the NVN which hit our location that night and the arm forces would not allow anyone to exit or entrance to our campgrounds. In conclusion, my mother beat the shit out of me. My mother beat me so hard the broom she used snapped in half. And off to the side, I could see my sister against the wall shaking like a Chihuahua on crack.  And our maids would cry for me as I held back my tears. A few days later my brother quit the band, which made me sad because he was my hero and his departure confused me. WOW! Did I answer your question? LOL!

Speaking for myself

43. Q: Jude - (California)

Hello Shere. I saw your sold-out performance at the House of Blues in West Los Angeles, which by the way was an awesome show.  I also viewed one of your documentaries about Vietnam when you performed for the G.I. Officers Club.  My Question: Did you have any trouble performing in front of all those lonely men?

Answer: Yes! BTW! This was at the Long Binh Post located on the east of Đồng Nai river, 20 km northeast of Saigon. There were times when the club would exceed its capacity, which happened frequently. And when the Americans would have too much to drink, they would charge the stage trying to grab me. When this would occur my brother Mike would pull me from behind and away from their reach. Other times, Mike would have to save me by removing me altogether off-stage and escorting me back to our dressing room. There in our dressing room, we would look at each other scared and in shock. The whole club would go nuts while we listened to the soldiers cry out encore, and Sandy (a name I used to disguise my true identity). Also, certain songs would drive them crazy happy, Like "We Got to Get Out of This Place" by the Animals, Fortunate Son by Creedence Clearwater Revival, Leaving on a Jet Plane by Peter, Paul, and Mary. Unfortunately, it was evident that the security MP guards were too few to control the excitement of our audience, and yet we all survived the chaos. On a positive note. I did like the attention, although looking back, I always wonder what would have happened if things went wrong.   I guess when you're young all you can see is how cool it was to be popular.

Speaking for myself

42. Q: Sue Ann - (California)

When you were doing Movies & TV in the '80s. Did you have any interesting stories, good or bad experiences about the Celebrities you met?

Answer: Yes! You can find this information in my Movie & TV section on this website.  Go to the top right corner to the Home drop-down menu and you will find it there. 

Speaking for myself

41. Q: Daina Franklin -  (California)

I noticed no matter how good an artist is there are always people who will give a negative mark.  Shere, are you ever bothered by the thumbs-down on YouTube?

Answer: No! I learned a long time ago when you are an entertainer it comes with the territory.  My common sense at an early stage in life has never dismissed the fact that people all have personal taste and so they are entitled to that rule.  However, if they abuse their right to make hateful comments. Well! I just removed them. In conclusion no! The thumbs-down doesn't bother me at all.